{"id":1778,"date":"2021-12-17T07:00:00","date_gmt":"2021-12-17T06:00:00","guid":{"rendered":"https:\/\/cieib.es\/?p=1778"},"modified":"2021-11-19T12:55:47","modified_gmt":"2021-11-19T11:55:47","slug":"jean-baptiste-simeon-chardin-i-el-baminton","status":"publish","type":"post","link":"https:\/\/cieib.es\/?p=1778","title":{"rendered":"Jean-Baptiste Simeon Chardin i el b\u00e0dminton"},"content":{"rendered":"\n

Jean-Baptiste-Sim\u00e9on Chardin<\/strong> (Par\u00eds, 1699-1779) fou un reconegut pintor<\/strong> franc\u00e8s, considerat com un dels millors artistes pl\u00e0stics francesos del segle XVIII<\/strong>, va influenciar l’obra d’artistes com Manet<\/strong> i C\u00e9zanne<\/strong>. De formaci\u00f3 autodidacta, Chardin s’inici\u00e0 amb les \u00absc\u00e8nes de genre\u00bb (natures mortes) un g\u00e8nere que no abandonaria mai tot i que econ\u00f2micament no li reportarien excessius guanys. Gran estudi\u00f3s de la pintura holandesa<\/strong> i flamenca<\/strong> del segle XVII, de qui prendr\u00e0 no nom\u00e9s l’utilitzaci\u00f3 de la llum si no tamb\u00e9 l’inter\u00e8s per les escenes quotidianes. Aix\u00ed, es decantar\u00e0 amb el temps per incorporar personatges a i sobretot personatges femenins. El retrat que avui ens ocupa \u00e9s Nina amb volant<\/strong> -Petite fille au volant- (1737) mostra a una nina amb una raqueta i un volant de b\u00e0dminton a les mans. No \u00e9s la primera ni la \u00fanica vegada que Chardin tractar\u00e0 el tema del joc infantil<\/strong>. La quietud i l’abs\u00e8ncia de moviments s\u00f3n el primer que sobta a l’espectador. El personatge sap que l’estan retratant. Si ens fixam, a la part dreta s’intueix el respatller d’una cadira. Probablement, la nina est\u00e0 de genoll damunt el seient per quedar a l’al\u00e7ada dels ulls del retratista (Chardin feia retrats gaireb\u00e9 a mida del natural<\/strong>). Com la resta dels infants que retrata l’artista, aquesta nina tamb\u00e9 va vestida a la manera dels adults. Vesteix una \u00abrobe \u00e0 paniers\u00bb (vestit amb volants). Els seus cabells estan coberts d’una petita c\u00f2fia florejada i de la cinta de la cintura hi veim preses unes tisores de costura i un coixinet vermell per a les agulles -se li ha donat perm\u00eds per deixar la classe de costura per a ser retratada per Chardin?- El fons monocrom\u00e0tic<\/strong> i neutre resta en un segon termini donant import\u00e0ncia al retrat. Una curiositat sobre els volants<\/strong> de plomes naturals: est\u00e0 fet de plomes d’oca<\/strong> \u00fanicament procedents de l’ala esquerra<\/strong> de l’animal. La justificaci\u00f3 rau en qu\u00e8 aix\u00ed el volant sempre rodar\u00e0 en el mateix sentit. En determinats cops el volant pot arribar a superar els 300 kil\u00f2metres<\/strong> per hora. (CIEIB)<\/p>\n\n\n\n

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Al\u00b7lota amb volant<\/strong> (1741), de Jean-Batpiste Simeon Chardin<\/strong>. Galleria degli Ufizi (Flor\u00e8ncia). (Wikipedia)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Jean-Baptiste-Sim\u00e9on Chardin (Par\u00eds, 1699-1779) fou un reconegut pintor franc\u00e8s, considerat com un dels millors artistes pl\u00e0stics francesos del segle XVIII, va influenciar l’obra d’artistes com Manet i C\u00e9zanne. De formaci\u00f3 autodidacta, Chardin s’inici\u00e0 amb les \u00absc\u00e8nes de genre\u00bb (natures mortes) un g\u00e8nere que no abandonaria mai tot i que econ\u00f2micament no li reportarien excessius guanys.<\/p>\n

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