{"id":2431,"date":"2022-10-28T06:00:00","date_gmt":"2022-10-28T04:00:00","guid":{"rendered":"https:\/\/cieib.es\/?p=2431"},"modified":"2022-10-28T07:39:11","modified_gmt":"2022-10-28T05:39:11","slug":"disbarat-volador-de-goya","status":"publish","type":"post","link":"https:\/\/cieib.es\/?p=2431","title":{"rendered":"Disbarat volador, de Goya"},"content":{"rendered":"

Los Disparates<\/strong> o Proverbios<\/strong> s\u00f3n una s\u00e8rie \u2014possiblement, incompleta\u2014 \u200bde vint-i-dos gravats a l’aiguafort i aiguatinta, amb retocs a punta seca, deguts a Francisco de Goya y Lucientes<\/strong> duits a terme en\u00a0 dues etapes: 1815-1816<\/strong> i 1824<\/strong>. Foren executats poc abans de la seva partida definitiva d’Espanya.<\/p>\n

S\u00f3n considerades pels experts com la s\u00e8rie d’estampes de m\u00e9s dif\u00edcil interpretaci\u00f3<\/strong> de les quatre duites a terme per l’artista aragon\u00e8s. Visions on\u00edriques, pres\u00e8ncia de viol\u00e8ncia, sexe, ridiculitzaci\u00f3 de les institucions provinents de l’Antic R\u00e8gim, i una cr\u00edtica general amb el poder establert, s\u00f3n algunes de les interpretacions que se n’han fet al llarg de les cent\u00faries. Sembla que Goya comen\u00e7\u00e0 la s\u00e8rie coincidint amb el requeriment que li arrib\u00e0 per part de la Inquisici\u00f3 Espanyola<\/strong> (1815) a resultes d’haver pintat anys abans, La maja desnuda<\/strong> i La maja vestida<\/strong>, retrat de Pepita Tud\u00f3<\/strong>, amant primer i esposa despr\u00e9s, de Godoy.<\/p>\n

Entre les estampes reparem en la n\u00famero 13<\/strong>, Modo de volar<\/strong>. L’escena mostra homes provistos d’artilugis voladors planejant per l’espai sense cap refer\u00e8ncia alguna ni de cel ni de terra. El personatge principal en primer termini, veim que du una mena de casc<\/strong> en forma de cap d’au<\/strong>. Aquesta estampa est\u00e0 relacionada amb la n\u00famero 5, Disparate volante<\/strong> (on els protagonistes s’allunyen del primer pla volant a l’esquena d’una au gegant, talment una escena rondallesca). Tornant a Modo de volar, la interpretaci\u00f3 m\u00e9s versemblant provendria de l’afirmaci\u00f3 de fra Francisco Alvarado<\/strong>, religi\u00f3s conservador i antiliberal, que en un dels seus articles comparava les noves idees afrancesades amb el desig de volar en els seg\u00fcents termes: No probemos \u00e1 volar con alas de cera, ni con m\u00e1quinas aerost\u00e1ticas. Si pisando por tierra firme tropieza un hombre, \u00bfqu\u00e9 ser\u00e1 embarc\u00e1ndose en un mal burro de palo?<\/em>. Recordem que part dels problemes pol\u00edtics de Goya que propiciaren la seva sortida d’Espanya provenen del seu pensament liberal provinent dels nous corrents de pensament lliurepensadors francesos difosos arreu d’Europa coincidint amb la Revoluci\u00f3 Francesa<\/strong>. En tot cas a nosaltres ens interessa per ser considerat per dret propi com un dels primers testimonis pl\u00e0stics dels inicis de l’aviaci\u00f3<\/strong> tal com la coneixem avui i per la seva similitud amb l’ala-delta<\/strong> esportiva -sense control pendular, en el nostre cas-.<\/p>\n

Goya<\/strong> deix\u00e0 les vint-i-dues planxes executades a Espanya en el moment de la seva partida definitiva per passar a residir a Bordeaux<\/strong>, Fran\u00e7a on hi moriria el 1828. D’en\u00e7\u00e0, van pert\u00e0nyer a la seva fam\u00edlia fins a 1854, any en el qual Rom\u00e1n Garreta les adquir\u00ed. El 1862, la Real Academia de Bellas Artes de San Fernando<\/strong> n’adquir\u00ed 18, mentre que la resta van quedar en mans del pintor i deixeble Eugenio Lucas<\/strong>. La s\u00e8rie va romandre in\u00e8dita fins a 1864, anys en que la referia Academia n’edit\u00e0 18. No seria fins a 1877<\/strong> que van apar\u00e8ixer publicades les 4 restants –Disparate de tontos<\/strong> (on hi trobam toros volant), Disparate de bestia<\/strong>, Disparate conocido<\/strong> i Disparate puntual<\/strong>– en primera i \u00fanica edici\u00f3 a la revista francesa L’Art<\/strong>.<\/p>\n

Curiositat<\/strong>: la referida s\u00e8rie -composta per 18 m\u00e9s 4 gravats-, tenen dos tipus de estimaci\u00f3 comercial<\/strong> en el mercat de l’art. Prestau molta d’atenci\u00f3 si mai teniu a l’abast el Disbarat Modo de volar<\/strong> o els quatre gravats hors s\u00e9ries: presenten un valor econ\u00f2mic<\/strong> afegit per la seva raresa i escassetat<\/strong> d’exemplars. (CIEIB)<\/p>\n\n

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Disparate n\u00famero 13, modo de volar.<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Los Disparates o Proverbios s\u00f3n una s\u00e8rie \u2014possiblement, incompleta\u2014 \u200bde vint-i-dos gravats a l’aiguafort i aiguatinta, amb retocs a punta seca, deguts a Francisco de Goya y Lucientes duits a terme en\u00a0 dues etapes: 1815-1816 i 1824. Foren executats poc abans de la seva partida definitiva d’Espanya. S\u00f3n considerades pels experts com la s\u00e8rie d’estampes<\/p>\n

Read More<\/a><\/div>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,39],"tags":[],"class_list":["post-2431","post","type-post","status-publish","format-standard","hentry","category-art-i-literatura","category-esports-aeris"],"yoast_head":"\nDisbarat volador, de Goya - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cieib.es\/?p=2431\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Disbarat volador, de Goya - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears\" \/>\n<meta property=\"og:description\" content=\"Los Disparates o Proverbios s\u00f3n una s\u00e8rie \u2014possiblement, incompleta\u2014 \u200bde vint-i-dos gravats a l’aiguafort i aiguatinta, amb retocs a punta seca, deguts a Francisco de Goya y Lucientes duits a terme en\u00a0 dues etapes: 1815-1816 i 1824. 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