{"id":3935,"date":"2025-10-08T06:00:00","date_gmt":"2025-10-08T04:00:00","guid":{"rendered":"https:\/\/cieib.es\/?p=3935"},"modified":"2025-09-10T09:29:27","modified_gmt":"2025-09-10T07:29:27","slug":"pousse-cafe-de-llorenc-villalonga-pons","status":"publish","type":"post","link":"https:\/\/cieib.es\/?p=3935","title":{"rendered":"Pousse-caf\u00e9, de Lloren\u00e7 Villalonga Pons"},"content":{"rendered":"\n

Entre les aportacions m\u00e9s singulars de Villalonga<\/strong>, hi trobam sens dube els seus Pousse-caf\u00e9<\/strong>. Es tracte d’una s\u00e8rie de textos breus<\/strong>, de to sovint ir\u00f2nics<\/strong> i en ocasions provocador<\/strong>, que Villalonga public\u00e0 en la revista Brisas<\/strong> que ell i el seu germ\u00e0 Miquel<\/strong> dirigiren entre abril de 1934<\/strong> i juliol de 1936<\/strong>. Se’n publicaren dos-cents set<\/strong> en total i eren signats sota el pseud\u00f2nim<\/strong> Chop<\/strong>.<\/p>\n\n\n\n

El terme franc\u00e8s pousse-caf\u00e9<\/strong> fa refer\u00e8ncia al digestiu<\/strong> que es pren despr\u00e9s del caf\u00e8<\/strong>, com a rematada de l\u2019\u00e0pat. L\u2019autor empr\u00e0 aquesta met\u00e0fora<\/strong> per titular unes peces liter\u00e0ries que actuaven com a petites \u201cdosis\u201d d\u2019intel\u00b7lig\u00e8ncia i escepticisme.<\/p>\n\n\n\n

Tracten temes molt diversos: des de la cultura i la pol\u00edtica fins als costums socials, l\u2019art, la religi\u00f3 o la condici\u00f3 humana, i com no l’exercici f\u00edsic<\/strong> i l’esport<\/strong>, una de les modes de l’\u00e8poca. En ells hi ressona sovint una mirada desencantada<\/strong> i cr\u00edtica<\/strong>, per\u00f2 alhora l\u00facida<\/strong> i penetrant<\/strong>.<\/p>\n\n\n\n

Els pousse-caf\u00e9<\/strong> mostren un Villalonga m\u00e9s proper al g\u00e8nere de l\u2019assaig breu i de l\u2019aforisme europeu, amb influ\u00e8ncies que van des de la tradici\u00f3 francesa fins als moralistes cl\u00e0ssics.<\/p>\n\n\n\n

Aquestes peces varen tenir una gran acollida i foren recollides<\/strong> en un volum<\/strong> amb posterioritat (Miquel Font, 1986) amb un extensa introducci\u00f3 deguda a Jos\u00e9 Carlos Llop Carratal\u00e1<\/strong>, encap\u00e7alats pel seu text \u00abApuntes de entreguerras<\/strong>\u00ab.<\/p>\n\n\n\n

Per la seva relaci\u00f3 amb l’exercici f\u00edsic<\/strong> i l’espor<\/strong>t, n’hem extret els seg\u00fcents, referides a la boxa<\/strong>:<\/p>\n\n\n\n

\u00abEl boxeo<\/strong>, desde el bajo pueblo ing\u00e9s, ha ascendido hasta la gente refinada. muchas espirituales damiselas no desde\u00f1an ya este espect\u00e1culo. Est\u00e1, pues, deslazado que el boxeador<\/strong> siga escupiendo en el mismo cubo en que su manager ha de lavarle la cara\u00bb.<\/p>\n\n\n\n

\u00abLos golpes en el boxeo<\/strong> no duelen. Los profesionales lo explican diciendo que son golpes en caliente. un gentleman no ha dado una epxlicaci\u00f3n m\u00e1s satisfactoria: siendo golpes deportivos<\/strong>, que no aluden al honor, no pueden llmarse, en realidad, golpes. Es por esto que no duelen\u00bb.<\/p>\n\n\n\n

\u00abEn los descansos, el manager<\/strong> no cesa de hablar febrilmente al p\u00fagil<\/strong> y de darle consejos. Lo hace porque \u00e9ste no le escucha, preocupado solo en respirar dieciocho veces por minuto, porque si le escuchara ya sabe el manager<\/strong> que se olvidar\u00eda de respirar y perder\u00eda el combate\u00bb.<\/p>\n\n\n\n

\u00abEl boxeo<\/strong> es un espect\u00e1culo est\u00e9tico. Henry de Monterland lo prefiere a los toros, cuyas lentejuelas son una supervivencia rom\u00e1ntica. En el boxeo<\/strong>, la fisiolog\u00eda triunfa, como la verdad, sin percalinas. Pero hay algo horrible y desarm\u00f3nico en el espect\u00e1culo: los enormes guantes, que son un barbarismo en la fina silueta del boxeador<\/strong>.\u00bb<\/p>\n\n\n\n

\u00abTambi\u00e9n hacen falt unos guantes<\/strong> de mica\u00bb.<\/p>\n\n\n\n

\u00abNos dijo una danzarino: aparte de los pu\u00f1etazos, qu\u00e9 diferencia ve usted entre un baile y un combate de boxeo<\/strong>?\u00bb.<\/p>\n\n\n\n

\u00abLlega un momento en que los p\u00fagiles<\/strong> se agarran, y entonces el \u00e1rbitro pasa por en medio de ellos para separarlos. Claro est\u00e1 que \u00e9stos podr\u00edan volver a agarrarse en seguida, pero el \u00e1rbitro se ocupa siempre del ahora y nunca del despu\u00e9s. Muy filos\u00f3fico y muy lleno de presente est\u00e1 ese gesto del \u00e1rbitro<\/strong>\u00ab.<\/p>\n\n\n\n

\u00abEs absurdo darse la mano con los guantes de boxeo<\/strong> puestos. tampoco ser\u00eda natrual que los p\u00fagiles se saludaran inclin\u00e1ndose, como hacen los toreros ante el presidente. (El torero est\u00e1 vestido de seda y el boxeador desnudo). Yo recomiendo el saludo de Ibiza<\/strong>, que consiste en poner las manos sobre los hombros del contrario. Es un gesto noble, un poco b\u00edblico, lleno de humanidad\u00bb.<\/p>\n\n\n\n

\u00abBebidas coloreadas para boxeadores<\/strong>. Quien necesite est\u00edmulos para combatir, lo mejor que puede hacer es dedicarse a otra profesi\u00f3n. La verdadera bebida para el boxeador<\/strong> es el agua. Rindiendo tributo a la fantas\u00eda, existen, sin embargo, anilinas inofensivas para colorear art\u00edsticamente los drinks con el verde de la menta, el dorado del Jerez o el rojo del Borgo\u00f1a. por otra parte, dado que la sed se apaga mejor con l\u00edquidos calientes, yo no veo inconveniente en tomar despu\u00e9s del combate unas cuantas tazas de t\u00e9, a condici\u00f3n de que sea muy ligero\u00bb. (CIEIB)<\/p>\n\n\n

\n
\"\"
Volum<\/strong> al qual fa refer\u00e8ncia la present entrada.<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Entre les aportacions m\u00e9s singulars de Villalonga, hi trobam sens dube els seus Pousse-caf\u00e9. Es tracte d’una s\u00e8rie de textos breus, de to sovint ir\u00f2nics i en ocasions provocador, que Villalonga public\u00e0 en la revista Brisas que ell i el seu germ\u00e0 Miquel dirigiren entre abril de 1934 i juliol de 1936. Se’n publicaren dos-cents<\/p>\n

Read More<\/a><\/div>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,43],"tags":[],"class_list":["post-3935","post","type-post","status-publish","format-standard","hentry","category-art-i-literatura","category-boxa"],"yoast_head":"\nPousse-caf\u00e9, de Lloren\u00e7 Villalonga Pons - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cieib.es\/?p=3935\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pousse-caf\u00e9, de Lloren\u00e7 Villalonga Pons - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears\" \/>\n<meta property=\"og:description\" content=\"Entre les aportacions m\u00e9s singulars de Villalonga, hi trobam sens dube els seus Pousse-caf\u00e9. 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