{"id":3952,"date":"2025-10-29T06:00:00","date_gmt":"2025-10-29T05:00:00","guid":{"rendered":"https:\/\/cieib.es\/?p=3952"},"modified":"2025-10-15T08:56:56","modified_gmt":"2025-10-15T06:56:56","slug":"dmitri-shostakovich-i-el-futbol","status":"publish","type":"post","link":"https:\/\/cieib.es\/?p=3952","title":{"rendered":"Dmitri Shostak\u00f3vich i el futbol"},"content":{"rendered":"\n

El compositor rus Dmitri Shostak\u00f3vich<\/strong> (1906-1975) \u00e9s conegut sobretot per les seves simfonies<\/strong> i quartets de corda<\/strong>, obres d\u2019una gran profunditat emocional<\/strong> que reflecteixen les tensions del seu temps. Tanmateix, una faceta menys coneguda<\/strong> de la seva vida \u00e9s la seva passi\u00f3 pel futbol<\/strong>, esport que va seguir amb entusiasme al llarg de tota la seva vida<\/strong>.<\/p>\n\n\n\n

Val a dir que Shostak\u00f3vich era un seguidor<\/strong> fervent del futbol sovi\u00e8tic<\/strong>, especialment de l\u2019equip Zenit de Leningrad<\/strong> (actual Zenit de Sant Petersburg), la seva ciutat natal. Sovint assistia<\/strong> als partits a l\u2019estadi, i quan no hi podia anar, seguia els resultats i comentava les jugades amb amics i companys m\u00fasics. De fet, mantenia amistat<\/strong> amb alguns futbolistes<\/strong> i \u00e0rbitres<\/strong>, i fins i tot va arribar a exercir com a \u00e0rbitre<\/strong> aficionat<\/strong> en partits locals<\/strong> als anys vint i trenta, una dada curiosa que mostra fins a quin punt s\u2019interessava pel joc.<\/p>\n\n\n\n

El seu amor<\/strong> pel futbol era tan gran que, segons els testimonis dels seus contemporanis, coneixia de mem\u00f2ria alineacions, resultats i estad\u00edstiques<\/strong>, i sovint comentava els partits amb la mateixa precisi\u00f3 amb qu\u00e8 analitzava una partitura.<\/p>\n\n\n\n

Aquesta afici\u00f3<\/strong> tamb\u00e9 va deixar empremta<\/strong> en la seva obra<\/strong>. L\u2019exemple m\u00e9s directe \u00e9s la suite per a l\u2019escena i el cinema \u201cEl futbol<\/strong>\u201d (opus 40<\/strong>), composta l\u2019any 1930<\/strong> per a una pel\u00b7l\u00edcula<\/strong> muda titulada Futbol<\/strong>. Tot i que la pel\u00b7l\u00edcula no es conserva<\/strong>, la m\u00fasica mostra un to ir\u00f2nic i vitalista, amb ritmes marcats i melodies que evoquen el moviment i la tensi\u00f3 del joc. Aquesta composici\u00f3 \u00e9s un dels primers intents en la hist\u00f2ria de la m\u00fasica cl\u00e0ssica de representar el futbol com a tema art\u00edstic.<\/p>\n\n\n\n

Tamb\u00e9 hi ha passatges<\/strong> d\u2019altres obres<\/strong> de Shostak\u00f3vich que semblen inspirats<\/strong> pel dinamisme<\/strong> i l\u2019esperit col\u00b7lectiu del futbol<\/strong>, tot i que de manera m\u00e9s subtil. Alguns estudiosos han suggerit que la seva Suite per a orquestra de varietats<\/strong> o certs moviments de les Simfonies n\u00fam. 5 i 7<\/strong> mostren una energia r\u00edtmica<\/strong> i una tensi\u00f3 dram\u00e0tica<\/strong> que podrien recordar, metaf\u00f2ricament<\/strong>, el ritme d\u2019un partit<\/strong>.<\/p>\n\n\n\n

En un context pol\u00edtic<\/strong> tan opressiu com el de la Uni\u00f3 Sovi\u00e8tica estalinista<\/strong>, el futbol<\/strong> representava per a Shostak\u00f3vich una forma d\u2019evasi\u00f3<\/strong> i llibertat personal. Mentre la seva obra musical era sovint sotmesa a la censura i al control ideol\u00f2gic, l\u2019esport li permetia gaudir d\u2019una activitat sense connotacions pol\u00edtiques directes, compartida amb gent de totes les classes socials.<\/p>\n\n\n\n

La seva relaci\u00f3 amb el futbol, doncs, transcendeix la simple afici\u00f3: era una passi\u00f3 vital<\/strong> i una via d\u2019expressi\u00f3 emocional<\/strong> enmig de les restriccions del r\u00e8gim. Aquesta dualitat \u2014m\u00fasic seri\u00f3s i intel\u00b7lectual, per\u00f2 tamb\u00e9 apassionat seguidor esportiu\u2014 il\u00b7lustra la humanitat complexa d\u2019un dels grans genis del segle XX<\/strong>. (CIEIB)<\/p>\n\n\n

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Shostakovich, al centre de la imatge, espectador en un estadi de futbol<\/strong> (anys 40)<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

El compositor rus Dmitri Shostak\u00f3vich (1906-1975) \u00e9s conegut sobretot per les seves simfonies i quartets de corda, obres d\u2019una gran profunditat emocional que reflecteixen les tensions del seu temps. Tanmateix, una faceta menys coneguda de la seva vida \u00e9s la seva passi\u00f3 pel futbol, esport que va seguir amb entusiasme al llarg de tota la<\/p>\n

Read More<\/a><\/div>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,27],"tags":[],"class_list":["post-3952","post","type-post","status-publish","format-standard","hentry","category-art-i-literatura","category-futbol"],"yoast_head":"\nDmitri Shostak\u00f3vich i el futbol - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cieib.es\/?p=3952\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dmitri Shostak\u00f3vich i el futbol - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears\" \/>\n<meta property=\"og:description\" content=\"El compositor rus Dmitri Shostak\u00f3vich (1906-1975) \u00e9s conegut sobretot per les seves simfonies i quartets de corda, obres d\u2019una gran profunditat emocional que reflecteixen les tensions del seu temps. 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