{"id":4065,"date":"2026-03-18T06:00:00","date_gmt":"2026-03-18T05:00:00","guid":{"rendered":"https:\/\/cieib.es\/?p=4065"},"modified":"2026-03-18T06:53:58","modified_gmt":"2026-03-18T05:53:58","slug":"kazimir-malevitx-i-la-geometria-del-moviment","status":"publish","type":"post","link":"https:\/\/cieib.es\/?p=4065","title":{"rendered":"Kazimir Mal\u00e9vich i la geometria del moviment"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La <strong>imatge<\/strong> que acompanya aquest text \u00e9s una de les obres m\u00e9s suggeridores de <strong>Kazimir Malevich<\/strong>: una <strong>bicicleta<\/strong> constru\u00efda amb <strong>formes<\/strong> <strong>geom\u00e8triques<\/strong> <strong>pures<\/strong>, <strong>colors<\/strong> <strong>plans<\/strong> i <strong>l\u00ednies<\/strong> <strong>essencials<\/strong>. Lluny del realisme, l\u2019artista rus converteix l\u2019objecte quotidi\u00e0 en una s\u00edntesi visual del moviment, <strong>gaireb\u00e9<\/strong> en una f\u00f3rmula <strong>matem\u00e0tica<\/strong> sobre rodes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mal\u00e9vich<\/strong> (1879\u20131935), fundador del <strong>suprematisme<\/strong>, defensava la supremacia de la sensibilitat pura en l\u2019art. Obres com el m\u00edtic <strong>Quadrat negre<\/strong> marquen una ruptura radical amb la representaci\u00f3 tradicional. Per\u00f2 paral\u00b7lelament a aquesta abstracci\u00f3 extrema, l\u2019artista tamb\u00e9 va explorar temes vinculats a la vida moderna, entre ells l\u2019<strong>esport<\/strong>, el cos en acci\u00f3 i les noves formes de mobilitat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A la <strong>R\u00fassia<\/strong> de les primeres d\u00e8cades del segle XX, la <strong>cultura f\u00edsica<\/strong> era entesa com un <strong>s\u00edmbol<\/strong> de <strong>progr\u00e9s<\/strong> i <strong>regeneraci\u00f3<\/strong> social. Els <strong>escacs<\/strong>, la <strong>gimn\u00e0stica<\/strong> i el <strong>ciclisme<\/strong> sobretot, formaven part d\u2019un imaginari col\u00b7lectiu associat a la <strong>for\u00e7a<\/strong>, la <strong>velocitat<\/strong> i la <strong>transformaci\u00f3<\/strong> de l\u2019\u00e9sser hum\u00e0. Malevitx no fou ali\u00e8 a aquest context. En diverses obres i dibuixos, represent\u00e0 atletes, figures en moviment i escenes que evoquen el <strong>dinamisme<\/strong> esportiu. Encara que la seva aproximaci\u00f3 no \u00e9s naturalista, s\u00ed que transmet una idea essencial: el cos ja no \u00e9s nom\u00e9s anatomia, sin\u00f3 energia estructurada en l\u2019espai.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La <strong>bicicleta<\/strong> que observam n\u2019\u00e9s un <strong>exemple<\/strong> paradigm\u00e0tic. No hi ha detall superflu. Les rodes s\u00f3n cercles perfectes; el ciclista es descompon en prismes i triangles; el gest del pedaleig queda suggerit per l\u2019orientaci\u00f3 de les formes. \u00c9s gaireb\u00e9 una <strong>radiografia<\/strong> <strong>conceptual<\/strong> del moviment c\u00edclic. Hi ha una connexi\u00f3 subtil entre el suprematisme i l\u2019ideal esportiu: ambd\u00f3s cerquen l\u2019ess\u00e8ncia. L\u2019esportista treballa per optimitzar el gest, eliminar el moviment innecessari, perfeccionar la t\u00e8cnica. Malevitx fa el mateix amb la pintura: redueix la realitat a all\u00f2 <strong>imprescindible<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A inicis del <strong>segle XX<\/strong>, art i esport compartien una mateixa fascinaci\u00f3 per la modernitat, per la m\u00e0quina i per la <strong>velocitat<\/strong>. Si el <strong>futurisme<\/strong> exaltava el <strong>dinamisme<\/strong>, <strong>Malevitx<\/strong> optava per una via m\u00e9s <strong>conceptual<\/strong>, per\u00f2 igualment compromesa amb la idea d\u2019un m\u00f3n nou. Avui, quan analitzam la relaci\u00f3 entre art i esport, la figura de Malevitx ens recorda que la cultura f\u00edsica tamb\u00e9 pot ser mat\u00e8ria de <strong>reflexi\u00f3 est\u00e8tica<\/strong>. El ciclisme, m\u00e9s enll\u00e0 de la competici\u00f3, \u00e9s ritme, repetici\u00f3 i equilibri. I en aquesta obra, tot aix\u00f2 queda condensat en un <strong>joc de colors primaris<\/strong> i formes b\u00e0siques. Potser, al capdavall, cada pedalada \u00e9s tamb\u00e9 un acte geom\u00e8tric. (CIEIB)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"248\" height=\"204\" src=\"https:\/\/cieib.es\/wp-content\/uploads\/2026\/03\/images.pjeg_.jpeg\" alt=\"\" class=\"wp-image-4088\" style=\"width:414px;height:auto\"\/><figcaption class=\"wp-element-caption\">El <strong>Velosipedist<\/strong>, de <strong>Kazimir Mal\u00e9vich<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La imatge que acompanya aquest text \u00e9s una de les obres m\u00e9s suggeridores de Kazimir Malevich: una bicicleta constru\u00efda amb formes geom\u00e8triques pures, colors plans i l\u00ednies essencials. Lluny del realisme, l\u2019artista rus converteix l\u2019objecte quotidi\u00e0 en una s\u00edntesi visual del moviment, gaireb\u00e9 en una f\u00f3rmula matem\u00e0tica sobre rodes. Mal\u00e9vich (1879\u20131935), fundador del suprematisme, defensava<\/p>\n<div class=\"tech_read_more\"><a href=\"https:\/\/cieib.es\/?p=4065\">Read More<\/a><\/div>","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,18],"tags":[],"class_list":["post-4065","post","type-post","status-publish","format-standard","hentry","category-art-i-literatura","category-ciclisme"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kazimir Mal\u00e9vich i la geometria del moviment - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cieib.es\/?p=4065\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kazimir Mal\u00e9vich i la geometria del moviment - Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears\" \/>\n<meta property=\"og:description\" content=\"La imatge que acompanya aquest text \u00e9s una de les obres m\u00e9s suggeridores de Kazimir Malevich: una bicicleta constru\u00efda amb formes geom\u00e8triques pures, colors plans i l\u00ednies essencials. Lluny del realisme, l\u2019artista rus converteix l\u2019objecte quotidi\u00e0 en una s\u00edntesi visual del moviment, gaireb\u00e9 en una f\u00f3rmula matem\u00e0tica sobre rodes. 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Mal\u00e9vich (1879\u20131935), fundador del suprematisme, defensava","og_url":"https:\/\/cieib.es\/?p=4065","og_site_name":"Centre d\u2019Interpretaci\u00f3 de l\u2019Esport de les Illes Balears","article_published_time":"2026-03-18T05:00:00+00:00","article_modified_time":"2026-03-18T05:53:58+00:00","og_image":[{"width":248,"height":204,"url":"https:\/\/cieib.es\/wp-content\/uploads\/2026\/03\/images.pjeg_.jpeg","type":"image\/jpeg"}],"author":"msfont","twitter_card":"summary_large_image","twitter_misc":{"Escrit per":"msfont","Temps estimat de lectura":"3 minuts"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cieib.es\/?p=4065#article","isPartOf":{"@id":"https:\/\/cieib.es\/?p=4065"},"author":{"name":"msfont","@id":"https:\/\/cieib.es\/#\/schema\/person\/92b909ce1e31182e2dd3ceb8838d054d"},"headline":"Kazimir Mal\u00e9vich i la geometria del moviment","datePublished":"2026-03-18T05:00:00+00:00","dateModified":"2026-03-18T05:53:58+00:00","mainEntityOfPage":{"@id":"https:\/\/cieib.es\/?p=4065"},"wordCount":460,"commentCount":0,"publisher":{"@id":"https:\/\/cieib.es\/#organization"},"image":{"@id":"https:\/\/cieib.es\/?p=4065#primaryimage"},"thumbnailUrl":"https:\/\/cieib.es\/wp-content\/uploads\/2026\/03\/images.pjeg_.jpeg","articleSection":["ART, M\u00daSICA I LITERATURA","CICLISME"],"inLanguage":"ca","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cieib.es\/?p=4065#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cieib.es\/?p=4065","url":"https:\/\/cieib.es\/?p=4065","name":"Kazimir Mal\u00e9vich i la geometria del moviment - 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